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* In the first repetition of the tune, the four measures beginning at (a) are played twice, the sucĀ­ceeding- four measures are omitted, and the remainder is played as written. In the second repetition, the four measures at (a) are played twice, the succeeding" four measures are played as written, the four measures beginning at (b) are omitted, and the remainder is played as written. The four measures beginning at (b) were transcribed from the first repetition, which differs from the first playing chiefly in that the execution is clearer. The bowing in "Callahan" and "Bonyparte" could not be determined with sufficient accuracy to allow its notation.
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